Tweezle is the baby of his family, but he has some pretty big ideas. What is he up to? The monster family of Stephanie McLellan and Dean Griffith’s Hoogie in the Middle returns in Tweezle into Everything.
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“A playful black-and-white kitten observes the ease with which Nat, a larger tiger-striped at, can sleep anywhere at any time of day in Allenby’s well-rhymed debut picture book. In rich hues and textures, Anderson’s multimedia illustrations depict a home full of sunlit rugs, bookshelves, pianos, toy-strewn floors, half-full chests, and chairs of all shapes and sizes—any of which Nat can turn into the perfect place for a nap. Nat sleeps sprawled on his back, curled in a ball, with paw-covered eyes, and in many other feline postures, while the kitten busily spends his daytime hours sliding down a banister, experimenting with a toy wand, and smiling admiringly at his sleepy companion. But when nighttime comes, Nat is finally ready to play, and the kitten has a rambunctious companion of his own at last…that is, until he gets worn out and falls asleep on top of Nat. Sweet without being saccharine, this is a good choice for group read-alouds.”
—Francisca Goldsmith
As educators, we often tell our young students to look at the pictures when we read. The pictures reveal clues that will help us read the story and to better understand it. The images and text of A Good Trade complement one another to the point of poetic consistency. The text and the images are both complex and simple: concept easy, content load heavy. The prose is lyrical, playful and inviting to young listeners or readers with words such as “poppy” and “rut-filled hill”. Yet, there are potential story-stopping words too: “Jerry cans”, “borehole”, and “aid worker”. For every challenging word, however, there is a corresponding image, pictures simple enough to convey meaning and yet complex in colour and perspective. One image shows only the upper portion of Kato’s face as he peeks into the back of an aid worker’s truck to find many pairs of colourful shoes.
The message of A Good Trade is equally daring. Author and illustrator have created a marvelous balance of apathy and respect. When Kato presents a rare white poppy flower to the aid worker, she honours his present with her own: shoes for all his friends. One of his friends is missing a leg. An allusion to soldiers indicates that war and trouble are constants in Kato’s village in Uganda.
I thoroughly enjoyed this story from beginning to end. It will make an excellent discussion starter in social studies classes (as a supplement up to grade seven) and as a read-aloud in K-2.
Highly Recommended.
A children’s author, David Ward is an assistant professor at Lewis & Clark College, Portland, OR.
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