Pajama Press

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Four Pajama Press Authors on the 2016 TD Book Week Tour

Posted on September 1st, 2015 by pajamapress

Pajama Press is excited to announce that four of our authors and author/illustrators will be touring as part of TD Canadian Children’s Book Week 2016.

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Rebecca Bender, author and illustrator of the Giraffe and Bird books and illustrator of Peach Girl by Raymond Nakamura

Wallace Edwards, author and illustrator of the forthcoming Once Upon a Line

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Sarah Ellis, author of A+ for Big Ben and Ben Says Goodbye

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Margriet Ruurs, co-author of A Brush Full of Colour: The World of Ted Harrison

TD Canadian Children’s Book Week is an annual festival that celebrates Canadian children’s books and the importance of reading. This year 30 authors, illustrators, and storytellers will travel to events in every province and territory, presenting to over 28,000 participants.

Visit the Canadian Children’s Book Centre and the  TD Book Week website to learn more.

Family Event at North York Library with A Brush Full of Colour: The World of Ted Harrison

Posted on October 24th, 2014 by pajamapress

 

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Spectacular launch for The Stowaways in Halifax

Posted on November 21st, 2013 by pajamapress

On Sunday November 17th it was standing room only as 100 reading fans descended on the Writer’s Federation of Nova Scotia in Halifax to celebrate with Meghan Marentette as she and fellow author Jill MacLean launched their new books.

The Stowaways, Meghan’s debut novel about a family of adventurous mice, has been causing excitement since its release in October. It has been featured in Canadian Family Magazine, on Global Television, and in the Fall 2013 Books for Everybody catalogue. Meghan Marentette has been welcomed enthusiastically by fans at the Pajama Press Fall Book Launch and Art Show, at a special Meet-and-Greet at the flagship Indigo store in downtown Toronto, and—of course—at her Halifax book launch. Click on the thumbnails below to see pictures of that exciting event.

Interview with Stephanie McLellan

Posted on October 4th, 2013 by pajamapress

S.McLellan-2014Stephanie McLellan is back with a book about the youngest (smallest) monster sibling who gets himself into some big situations.Tweezle into Everything is currently available for purchase in Canada. This award-winning author was kind enough to answer some questions about the process of writing this book, rescuing baby animals, and nicknames. 

When you were writing Hoogie in the Middle, was it always your intention to write about another monster sibling?

Writing books about Tweezle and Pumpkin was Publisher Gail Winskill’s idea. Gail’s enthusiasm for Hoogie in the Middle was very exciting, and when Gail is passionate about an idea, anything is possible. It was Gail’s idea to illustrate the characters as monsters and I fell in love with Dean Griffiths’ illustrations right from the start. When Gail proposed the idea of two additional books, I was thrilled and started in on them right away. In fact, I’ve also written manuscripts about an only child (a friend of Hoogie’s) called Wyn, and also about identical twins (named Snips and Spins).

How was this writing experience different than/similar to Hoogie in the Middle?

Tweezle_CWriting Tweezle was an entirely different experience. The plot of Hoogie in the Middle was built around the middle child experience of feeling both too big and too small … isolated in between these opposites. My understanding of how Hoogie felt was crystalized by viewings of old home movies where I saw, with the distance of time, actual situations take place that demonstrated this. What I set out to do with Tweezle’s and Pumpkin’s stories was to identify and build on the core emotions at play for the youngest and the oldest. For the baby of the family, it seems to me that the issue is again built on colliding opposites … i.e. Tweezle is the littlest but he yearns to be big. A phrase repeated frequently by the real Tweezle (our son Tristan) when he was little was “I big”. Where many of the plot elements in Hoogie in the Middle are taken from real life, Tweezle’s story was wholly invented in my effort to play with the big/little opposition.

In this book, Tweezle helps a baby bird in need. Is this something you’ve experienced yourself? Is it something you want to draw attention to/feel passionate about?

It would be difficult not to feel passionate about helping little baby birds in distress, but the plot of Tweezle into Everything was wholly invented and not based on anything that happened in exactly that way in our family. That being said, we have certainly attempted rescue of various critters over the years: a baby rabbit our kids named Jack, baby mice and so on. The real life Tweezle (our now 17 year old son Tristan) actually did come home after a walk recently with an orphaned baby squirrel, cradled in a large, empty candy container he got from a store near where he found it. Fortunately, we have a wildlife expert who lives on the next street (nicknamed The Squirrel Lady) who was able to give us some advice. None of those situations had happy endings and we do have a few little graves in our back yard. So while Tweezle’s story is not based on a specific incident, the spirit of the story feels very much like our real life. I did want to make sure that the bird rescue in the story didn’t contradict what wildlife specialists would recommend and, thus, after mapping out the plot, I did some research to make sure Tweezle was doing the right thing.

What was your favourite part about writing Tweezle into Everything?

It was fun to shift the point of view to someone else within the family I created in Hoogie in the Middle. In the first book, of course, Hoogie was front and center. We knew how she was feeling, and Tweezle and Pumpkin were background characters for her to bounce off. With Tweezle into Everything, I got to shift the lens, pushing Hoogie back and Tweezle forward so now we could peek inside his head and see something surprising. I’m hoping readers find this fun too, especially now that they already know Hoogie and can apply their understanding of her to the way she acts towards Tweezle in this new story.

When you began writing this book, did you know what the ending would be?

When I started writing this book I didn’t even know what the beginning would be! Pumpkin’s story (although that manuscript is still to be edited) came much more easily. The arrival of a second child after the first has enjoyed the limelight for so many years (in our case, 3-1/2 years) is fairly traumatic for the eldest. There were many, many real life events I could draw on. By the time the third comes along, your whole household is just a zoo. Children outnumber the parents. You now have five personalities mixing, matching, colliding, jiving. It’s more difficult to separate the stories because you’re just one big happy mess together. With Tweezle, then, I didn’t find myself drawing on a specific event so much as my awareness that he was determined to be just as “big” and accomplished as anyone else in the family. I wanted to dream up a scenario where his actions would be misinterpreted by everyone because of their preconceptions about him (i.e. that he is the incapable “baby”), and then give him a chance to shatter those perceptions with his actions. (P.S. Tweezle/aka Tristan really did grow up to be big, currently towering over all of us at about 6’6”.)

Hoogie and Tweezle are nicknames for two of your own children. Do you have a nickname? Where did it come from?

I didn’t have a nickname myself, but you’re correct that each of our three children did. “Hoogie” is our middle child’s (Eryn’s) real nickname. I think it was my husband who came up with these funny little endearments, and he came to them honestly. There are ten kids in his family, and while they have pretty normal real names, I came to know them over the years by their nicknames: Honey Bear, Fiddler (Fidzie), McGeezie, Featherhead, Blackie, Chaino (Shmuggie), Cloddy and Miss Pretty. I’ve missed a couple, but you get the idea. Eryn was called, variously, Hoogie, Hoogs, The Hoogster and Mrs. Grumpbladder … the latter coming from a picture book we enjoyed when our kids were little called King Change-a-Lot by Babette Cole. The other names I used in the story (Tweezle for the baby boy and Pumpkin for Hoogie’s older sister) aren’t actually the real nicknames of our son (Tristan) and eldest daughter (Sarah). Because the text of Hoogie in the Middle is so sparse, I was conscious of the sound and melody of the language and wanted names that fit the cadence of the opening lines. This meant that I needed two-syllable names which had stress on the first syllable. Tweezle and Pumpkin are invented names. I’m not really sure where the name Tweezle came from although, in retrospect, it’s close to one of Tristan’s nicknames, Twister (or The Twister). The nickname Twister stemmed from Tristan’s third birthday which we held at a Go-Cart track with his many aunts and uncles. We set this up as the “Twister 3000 Race” complete with racing flags, trophies, etc. Mostly, though, we call him Shmoe (and where that name comes from I’ll never know). The older sister Pumpkin was originally called Munchkin when I submitted the story to Pajama Press. Publisher, Gail Winskill, and editor, Ann Featherstone, had me re-think that name given that “munchkin” sounded like the name of a youngest vs. an oldest. That made sense to me and Pumpkin seemed like a good replacement. Sarah’s real nickname, though, is Magoo (as in, “Sarah Magoo, we sure love you”). There were times she was also called “The Baby from L” (I’ll let you guess where that evolved from). And that’s probably more than you ever wanted to know about nicknames!

What is the best thing about writing for children?

There’s nothing I loved more than curling up with our kids and reading to them for hours on end. We have so many books in our household; so many favourites. The thing about the books we’ve read and re-read multiple times is that they’ve become part of our family history. When you think about a book you’ve shared, you generally remember not only the story itself, but also where you were when you read it and who you were with and what you felt at the time. When she was little, Eryn/Hoogie frequently wished for a special Time Machine that would allow her to rewind time, stop it, pause it … even fast forward and skip it the way you can do with a movie. We found that the books we shared together were a little like that. When Tristan (Tweezle) was little and I’d read him a worn out copy of an old favourite, Sarah (Pumpkin) and Eryn (Hoogie) would snuggle in to become part of the new reading of the book. We’d all get caught up in the story and all the time that had passed between then and our first reading evaporated for a minute. That’s what I love about being part of this industry and writing for children. I know how reading and sharing stories can change the way you feel, and make you feel like you’re part of something bigger. That’s what I want to do with my stories; be part of making family memories and be part of making people feel bigger than themselves.

Learn more about Stephanie at www.stephaniemclellan.com

Save the Date!

Posted on September 30th, 2013 by pajamapress

Stephanie McLellan on the radio for Middle Child Day

Posted on August 23rd, 2013 by pajamapress

Did you know that Monday, August 12th was Middle Child Day? If you missed the occasion you can still celebrate by listening to some great middle child-themed radio.

Stephanie McLellan, author of Hoogie in the Middle, appeared on CBC’s  Metro Morning to talk about her book and about being a middle child. She was also interviewed on CBC’s Ontario Morning.

At Q107, Dominik Diamond, Ryan Parker, and Johnny Garbutt had a hilarious time reading Hoogie in the Middle and talking about it on the air.

And since every day is a good day to appreciate each other, why not show some love to a middle child in your life today? I’m sure they, like Hoogie, will feel “like the jelly in the middle of a donut…sweet.”

Namesake is “captivating” —Ramblings of a Daydreamer

Posted on August 13th, 2013 by pajamapress

“…I thought MacLeod did a really good job of weaving the past together with the present. I always worry that books like this will get confusing with the back and forth, but I had no trouble keeping up with Namesake. I enjoyed watching Jane’s life in the present, and I eagerly anticipated each of her visits to the past, since I’ve always been fascinated with Tudor era England…Namesake is a captivating story that is sure to please fans of contemporary young adult and historic fiction alike.”

—Marie Landry

Click here to read the full review

Alma Fullerton on Open Book Ontario

Posted on June 26th, 2013 by pajamapress

Alma Fullerton is an award-winning children’s author living in Midland, Ontario. Although she’s an accomplished visual artist, her newest book, Community Soup (Pajama Press), is the first book she’s illustrated herself. Directed towards children ages four to seven, Community Soup gives young Canadians a fun look at everyday life in a Kenyan village, including a mischievous herd of goats.

Today, Alma tells Open Book about why she writes for children and how she gets it all done.”

Click here to read the interview.

School Libraries in Canada interviews Sue MacLeod

Posted on June 6th, 2013 by pajamapress

In their current issue, School Libraries in Canada is exploring bringing the past into the future. How fitting, then, to interview Sue MacLeod, author of the time slip novel Namesake in which a library book does just that.

MacLeod explains how she came to write Namesake:

“It was actually Lady Jane Grey herself who compelled me. I read a book about her when I was ten or so, and she stayed with me. It occurred to me a long time ago – twenty years or more – that I wanted to write about her in a way that would link her story with that of a contemporary girl. So, a young adult time-slip novel emerged as a natural way to approach that.”

Click here to read the full interview.

Quill & Quire enjoys “lively” Community Soup

Posted on May 27th, 2013 by pajamapress

“In this Stone Soup-flavoured story, a Kenyan school is busy with lunchtime preparations. While the teachers stir the broth, students pick vegetables from the community garden. Kioni is late—she’s looking for her goats, which have a habit of wandering away. Not only do the wayward animals break the “no goats at school” edict, they also wreak havoc in the garden. Frustrated by her uncooperative, stubborn charges, the young girl grumbles, “I’d like to put them in the soup.” A creative classmate sees a culinary opportunity and incorporates the goats’ milk as a special ingredient.

The book’s spare text warmly invites the reader into the daily life of the village. The simple sentences have a conversational tone and the superb pacing makes for a lively read aloud. Children will also enjoy the riff on “Mary Had a Little Lamb” (“Kioni has a herd of goats, / with hair of calico”).

This is Ruth and Sylvia Schwartz Award winner Alma Fullerton’s first time as both author and illustrator, and her paper-sculpture illustrations are a visual feast. When Kioni realizes the mess her goats have caused, her “oh no” moment is captured up close, as she gazes directly at the reader, hands covering her mouth with surprise and chagrin. In the field, the children’s bright clothing stands out against the leafy green background. Textures seem tactile, from the rough, peeling bark on twigs to the softly curling tufts of the goats’ hair.

Community Soup offers a satisfying blend of cooperation, hard work, and play…”

Linda Ludke, a librarian at London Public Library.