Pajama Press

Posts Tagged ‘africa’

Spirituality & Practice reviews A Good Trade

Posted on February 13th, 2013 by pajamapress

“…Alma Fullerton has written this simple but eloquent account of how giving is a boon to both the giver and the recipient. A wise Chinese proverb says: “A lot of fragrance always clings to the hand of one that gives roses.” That is certainly true of Kato. Hats off to Fullerton and illustrator Karen Patkau for this touching African tale about generosity and kindness!” —Frederic and Mary Ann Brussat

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A Good Trade sparks deep thoughts at the Library of Clean Reads

Posted on January 18th, 2013 by pajamapress

“A simple but powerful story on the value of a gift. I read this book with my son and we had a wonderful discussion on the lives of other children in distant lands and the value we place on material objects. I could see it made him reflect deeply.

…With few words and illustrations that use earth tone colors with splashes of bright, patterned ones, this book conveys a heartwarming story about a boy who, despite living in a country ravaged by a generation of civil war and drought, can find joy in the gift of shoes and likewise show gratitude. This story opened up many questions for my eight-year old son. Where does the aid-worker get the things to give to the village? Can we also send shoes to children in Africa who are barefoot?”
Laura Fabiani

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Interview with Samaritan’s Feet

Posted on January 4th, 2013 by pajamapress

Kato, the main character in Alma Fullerton and Karen Patkau’s new picture book A Good Trade, is overwhelmed with gratitude when he receives a pair of shoes. Did you ever wonder why? What makes a pair of shoes so exciting? To answer that question, we’re interviewing representatives from organizations that have devoted themselves to shoes, kids, and changing lives. Today our featured organization is Samaritan’s Feet and our interviewee is Dr. Emmanuel “Manny” Ohonme, its founder.

What inspired you to start bringing shoes to kids in need?

Well, I’m the product of someone else’s generosity. I grew up in an underprivileged country myself; I grew up in Nigeria where people that lived in my neighborhood were living on less than a dollar a day, and shoes were a luxury.

We’ve also learned that over half the population of the world can’t afford shoes, and our conservative estimate is that over 300 million children across Africa and in different parts of the world wake up each day with no shoes. Further research showed that close to a million people worldwide are affected by sole-transmitted parasites. Many of them lead to different forms of infection. Some of them actually lead to death or amputation of feet.

And on top of that we learned that kids in different parts of the world can’t go to school because they have no shoes, and we felt like that was something that was unacceptable. We felt like that we should be able to solve that problem. So we set out with the really audacious goal to go see if we can at least inspire hope and hearts and reach the first ten million [pairs of shoes], and see where that takes us.

That journey started in 2003 and today we’ve helped over 4 million kids worldwide.

Where do your shoes come from?

Our shoes come from a lot of individuals. We only give children new shoes. 98 % of our shoes are tennis shoes and then the other couple of percent are school shoes that are more sandals or Croc-style EPA foam type of shoes. We get them donated through corporations, so we’ve had partners from Nike through Converse, to Sketchers, to Sears and K-mart and Wal-Mart, and different shoe companies are very generous in helping.

Many corporations sponsor shoe drives for us—either physical shoe drives or virtual shoe drives. Those virtual shoe drives allow us to raise funds so we can also procure shoes. We also manufacture shoes so that we can better forecast our needs in terms of gender or size mixes. That’s really grown quite significantly over the last few years with the economy the way it’s been; we haven’t been able to get as many shoe donations as we used to in years past, so now as part of our self-sustaining strategy, we ask many people to actually do virtual shoe drives for us and then those funds are used to manufacture shoes with our branded logo on them, or to purchase shoes from some of our suppliers.

Where do your shoes go?

Over 40% of our recipients are across North America. People always think that most of our recipients and customers are actually in the developing world, but we’ve found over the last four and a half years there’s been a huge increase in demand in North America. We’ve seen families having to make decisions every day: Do I pay the light bill, or buy groceries, or provide shoes for my kids to go to school? We’ve seen many families lose their jobs, so we started our Back to School national program, which this year helped over 50, 000 children.

We help children in over 86 communities across the US and then in parts all across East, West, South and even Central and Northern Africa, and into Eastern Europe, across the Caribbean, and in the Middle East. We span the globe. We’ve worked in over—I think it was 65 countries as of the last count.

Some people worry that an influx of donated shoes can disrupt local businesses and economies. Do you have any measures in place to protect or encourage sustainable economies in the places you work?

Absolutely. In Brazil, for example, all of our shoes are actually manufactured and produced within Brazil. We want a lot of our international locations to be self-sustaining. We want to make sure that the countries support their own, even if there’s such a dichotomy between the Haves and the Have-Nots. The Haves can help provide support to help meet the need of a lot of underprivileged people. We’ve helped blaze a trail and challenged a lot of the well-to-do people to help support them—because a lot of them just don’t know that there’s a need for shoes until we help open their eyes to the realities of people that are suffering because they don’t have any. And we’ve seen that be very successful.

In other parts of the developing world, places where we serve in remote, underprivileged communities, many of those people don’t even have stores, so there’s not even an option of being able to disrupt an economy that doesn’t exist. The other thing that we’re doing is really trying to create jobs. We’re looking for opportunities to actually start making and procuring shoes where they are in some of those local economies. We’ve been doing that quite a bit.

Do you have a favorite story or experience from you work with Samaritan’s Feet that you would like to share?

There are tons of stories. In the Amazon region of Brazil, where we’ve done work for many, many years, we went to this community on the other side of Igarape Mirim. Beyond that is a town called Boi Jadin—it’s actually a fishing community—where many of the folks still trade and barter. The kids have to have at least the equivalent of flip-flops to wear to school. Shoes are part of their uniform, and one of the families when we got into the town—we found out later on the father was praying that he’d have enough of an opportunity to trade enough so he could have the money to be able to buy flip-flops for his four children to go to school that year.

We walked into town, working through their local education program, and provided all of them brand new tennis shoes. And it was amazing—this father was just crying. They brought him to me and we talked to him, and he said, “You won’t believe this—I was just praying that I would actually have enough resources that I could sell enough fish that I could provide my children with flip-flops. And to be able to see my kids get up from the seats out there”—our volunteers wash their feet and put shoes on them and provide them with new socks and a new backpack—“and to see them wear Nike shoes, it seems like they’re walking out with a car.” He said he was watching a miracle happen in front of him. And to me that day that just struck me. Who would ever think that shoes would ever be compared in the same category as a need similar to a car? But to that fisherman that day it was like we’d given his family a Mercedes Benz. 

And to me it just reminded me why what we do matters. When we see the faces of these children lining up to receive something that they never thought they could have in their lives… We know we’ve given them good shoes, but the shoes serve as a vehicle for works of affirmation. They encourage children to believe in their dreams, and we’ve seen this come to fruition.

What is your organization’s vision for the future?

We are on a mission to help create awareness, because when we started nobody knew that footwear could be a humanitarian response and meet a real physical need. People didn’t know that people in places like Ethiopia and Burkina Faso, Peru, and Colombia, places like Cameroon, Burundi, and Uganda, are suffering from this condition called Podoconiosis. It’s a non-filarial type of elephantiasis. People didn’t know that people were suffering from this kind of condition because they have no shoes. They didn’t know that over a billion people in the world are affected by ringworms and hookworms that come in through their feet. People didn’t know that in northern Nigeria where I’m from, 40% of school-aged kids suffer from schistosomiasis [a disease caused by parasitic worms that can permanently damage internal organs].

I truly believe we’ve helped create awareness to the need for shoes. I know we’re going to reach our goal of ten million and I think after we do, we’re going to continue with one of the things that we already started doing as part of our sister organization we formed a couple of years ago, the Women Ambassador program. Beyond providing the shoes for kids to go to school, we’re actually in the process of building schools.

We built a school in the Amazon region of Brazil a few years back and now we’re trying to build a school in Burundi. We’ve teamed up with the President and the First Lady of that country. Their vision is to provide access to education to a lot of underprivileged children. During the civil war in that country they had over 300, 000 people assassinated in the genocide and over a million people displaced as refugees. Many people have come back now and education is one of the keys they’re using to unify them. The President has built over 2700 schools so we’ve committed to help keep building schools through our Women Ambassador division. We’re looking at building our first one next year and adding other ones to it as we see that grow.

We see ourselves manufacturing shoes in developing countries so we can create job opportunities for a lot of the underserved, underprivileged people, and so we can also show them that they don’t have to be dependent on the shoes coming from China—they have the resources to make their own shoes and meet their own needs locally. And we’ve started some other social enterprises and we see that growing.

At the end of the day, I think we’ve created a movement now. We have other organizations now helping to respond to the need for shoes. I was telling some of my colleagues in the nonprofit industry just a few weeks back when I was speaking at a conference, I think we should set a higher goal. You know, 300 million kids wake up each day with no shoes. I think that needs to be our goal collectively—that we can all come together and eradicate it, because that’s a problem that can be solved. No child should ever have to die because they have no shoes. No child should ever not go to school because they have no shoes. So I’m taking that as a personal challenge.

Dr. Emmanuel “Manny” Ohonme is the president and CEO of Samaritan’s Feet, which he founded in May, 2003. 

This interview has been edited for length.

To learn more about Samaritan’s Feet, visit www.samaritansfeet.org.

Interview with Soles4Souls

Posted on November 26th, 2012 by pajamapress

Kato, the main character in Alma Fullerton and Karen Patkau’s new picture book A Good Trade, is overwhelmed with gratitude when he receives a pair of shoes. Did you ever wonder why? What makes a pair of shoes so exciting? To answer that question, we’re interviewing representatives from organizations that have devoted themselves to shoes, kids, and changing lives. Today our featured organization is Soles4Souls.

Soles4Souls first sent shoes to those in need when our founder, Wayne Elsey, saw the aftermath of the 2004 Asian tsunami. He was a footwear executive and pulled his resources and contacts together to send shoes to the victims. He did the same during Hurricane Katrina—this led him to start the charity!

Where do your shoes come from?

Our shoes come from our incredible donors. Our used shoes come from individuals and their workplaces, schools, churches, town community centers and more. In addition, we have a team that works directly with shoe designers, manufacturers, retailers, distributors and warehouses to procure their excess inventory.

Where do they go?

Our shoes go everywhere! We distribute here in the United States and in 127 other countries around the world. We only send new shoes to locations in the United States, while we distribute both new and used product internationally. Some of our used inventory is utilized for micro businesses purposes to help eradicate poverty in third world countries.

Some people worry that an influx of donated shoes can disrupt local businesses and economies. Do you have any measures in place to protect or encourage sustainable economies in the places where you work?

We sure do! When we travel internationally to distribute shoes, we give them to orphanages and schools. These are people who could otherwise not afford a pair of shoes and who could contract diseases from not wearing shoes. We also work with micro enterprise partners to offer shoes as a means of a sustainable income. Our micro-enterprise program does not interfere, but enhances the local economy and provides long-term sustainability for women and men in developing nations.

Do you have a favorite story or experience from you work with Soles4Souls that you would like to share?

Yeah! I have the pleasure of hearing the stories from some of our top donors and sharing them on our blog. One of my favorites is of a little girl in Canada who collected shoes for us. She made a video invitation to her birthday party and asked friends and family to bring her shoes to give to kids in need, rather than buying her a gift. It’s inspiring to see someone as young as seven years old making a difference in the world!

What is your organization’s vision for the future?

There are approximately 1.5 billion people in the world without shoes and 300 million of them are children. Our vision and goal is to drastically lower that number.

Rebecca Cicione is a Social Media Engagement Specialist with Soles4Souls. She has been working with the organization since September, 2011.

To learn more about Soles4Souls, visit www.soles4souls.org.

Don’t Laugh at Giraffe teaches empathy without preaching—Resource Links

Posted on November 8th, 2012 by pajamapress

This colourful picture book lives its message: one of the best antidotes for sadness is laughter. The illustrations by author/illustrator Rebecca Bender delight the reader even before the humorous and effective twist at the end of the story. A successful element in the interaction of text and image is that Bender bolds the important words—mainly the verbs—on each page. So with the bold verbs creating motion, and the energetic pictures showing action and emotion, what Bender has created is a very lively picture book for young readers, who will be able to pick out the bolded words and match them to the action in the pictures.

In the scorching heat of the African sun, Giraffe and Bird—best friends but always bugging each other—have a tussle and are hot and thirsty. Already, many young readers will identify with two friends who are so dissimilar but yet “you rarely see them apart.” When Giraffe has trouble bending all the way down to the water, and ultimately falls in, all of the animals—including Bird—laugh at him. True to the age of the readership, this hurts Giraffe’s feelings, and he goes away, sad and humiliated. Bird, an insightful little chap for all his flighty ways—soon figures out that there is something he can do to help his friend. No moralizing here, just a little bird thinking about how his friend obviously feels. Young readers will be able to internalize the lesson of empathy well, as it is so subtle; Bender does not preach at all, but merely shows her readers—largely with her beautiful illustrations—one option in this social situation. The answer Bird comes up with is to make a laughing stock of himself: he sings, he dances, he teases the other animals, he makes a complete fool of himself, laughing all the time with the animals he is teasing—even Giraffe. “Anyone can see that the bird loves the attention…and the giraffe finally has a drinkand the reader feels happy and giggly watching Bird floating on his back, spitting water up into the air.

Rating: E – Excellent, enduring, everyone should see it!

—Karen Huenemann

A Pair of Shoes

Posted on October 26th, 2012 by pajamapress

In the picture book A Good Trade, a little boy named Kato receives a life-changing pair of shoes. But why are they so life-changing? Here are a few reasons.

ParasiticDieseases

Uniform

Injury

A Good Trade is written by Alma Fullerton and illustrated by Karen Patkau.

Interview with Alma Fullerton

Posted on October 12th, 2012 by pajamapress

A.Fullerton-2014Alma Fullerton is the award-winning author of Burn, Libertad, Walking on Glass, and In the Garage. On October 15, 2012 she will be marking the publication of her first picture book, A Good Trade. Illustrated by Karen Patkau, A Good Trade tells the story of Kato, a young boy growing up in a Ugandan village. His daily routine includes chores and a dawn walk to the borehole for water, but one day the routine is disrupted: an aid worker brings a life-changing gift of shoes for all the village children, and Kato feels compelled to give her something precious is return.

You are known for your free verse novels. Did you always want to write picture books as well, or was A Good Trade a new development for you?

I wrote picture books before novels but it took me a long time to get it right. I’m at awe by some of my friends who do it well—all the time.

How did you find the process of writing a picture book compared to writing a novel? Did anything surprise you?

With novel writing you have to paint a picture with words, but with picture books you have to leave room for the illustrator to do it in pictures. It wasn’t until I got into visual art myself that I was able to ‘see’ where I needed to leave things to the illustrator. What surprised me was the fact that I had more editorial edits on A Good Trade, going through every word, than I did with all my novels. After the process I swore I’d never write another picture book. Of course, that statement didn’t last long.

What inspired you to write Kato’s story?

The inspiration came from a picture of an African child I found on the Internet while looking for art references. So many of my stories come from pictures, or true stories I hear about.

One of the remarkable things about A Good Trade is that, using very few words, it manages to acknowledge the hardships of civil war and poverty in Uganda without lessening the joy and spirit of the story. Did you find this challenging? How did you approach it?

It was challenging and went through a lot of drafts to get it right. The text was always stark, but I have a fantastic critique group and a great editor who would tell me, “This verse doesn’t quite work.”

What was your favourite part of working on this book?

Finishing it? Honestly, I loved seeing Karen Patkau bring Kato to life with her fabulous illustrations. She was able to add the things the text didn’t say perfectly.

For more information about Alma Fullerton, visit her website at www.almafullerton.com. 

Interview with Karen Patkau

Posted on October 1st, 2012 by pajamapress

K.PatkauKaren Patkau is an award-winning artist and illustrator of children’s books. Written by Alma Fullerton, A Good Trade is a deceptively simple story about a special day in the life of a little boy growing up in Uganda. Karen joins us today to answer some questions about her work on the book.  

The text of A Good Trade is very brief, even minimalist. Do you find that an advantage as an illustrator, because it gives you a lot of room for interpretation, or is it easier when more of the story is fleshed out in the text?

I loved the brief, but powerful text of A Good Trade. Rather than giving me a lot of room for interpretation, it clearly defined what content had to be included in each illustration to tell the story. I was allowed more freedom when visually embellishing the story.

What was your favourite part about illustrating Kato’s story?

I tried to echo the message of this story with simple and bold illustrations. I developed a digital collage technique for the text that I really like. I used to do traditional collage and still like the strong use of colour, shape, texture, and pattern. Illustrating Kato’s story, in this way, was a very fulfilling experience.

What was your biggest challenge?

My biggest challenge was keeping the children, especially Kato, slightly abstract yet recognizable throughout the illustrations.

A Good Trade is a story of hope and gratitude, but it doesn’t ignore the realities of civil war and hardship in Uganda. How did you approach this balance in your art?

I approached the contrasts in this story in a straightforward way. I needed to show the magnificence of the African landscape, as well as the hardships of poverty and horrible reminders of war. I needed to show the exuberance of the Ugandan children and Kato’s beautiful spirit—his hope, joy, resourcefulness, and gratitude; despite their daily struggles.

Digital art is still a fairly new medium, especially in literary picture books. How do you find people respond to this style of art? Do you think it will one day be as mainstream as, say, watercolour illustrations?

I think the quality of picture book art is determined by the creativity and skill of the illustrator rather than the medium. During picture book presentations that I give, both young and old are very curious about my digital technique and process. Digital imaging is now an established method for anyone studying illustration. So yes, I do think it will become as mainstream as traditional mediums such as watercolour.

You can learn more about Karen at www.patkauillustration.com.

Quill & Quire praises A Good Trade

Posted on September 20th, 2012 by pajamapress

“To most North American children, being able to turn on a tap and have clean water come out is a given. The latest book from Alma Fullerton, with illustrations by Karen Patkau, should open children’s eyes to the fact that not everyone is so lucky.

A Good Trade portrays a day in the life of Kato, a young Ugandan boy who rises with the sun and travels barefoot to the water pump just outside his village to collect a day’s worth of water for his family. On this particular day, an aid worker comes to the village square with a delightful gift, and Kato is inspired to reciprocate her kindness.

Fullerton uses simple prose to relay the story of Kato’s walk to the pump and back, but she notes details—the sloshing of water in the jerry cans, the rumbling of the aid worker’s truck, the armed soldiers standing sentry in a field—that paint a complete picture. Kato’s harsh reality is illustrated through tender moments as well, such as when he splashes cold water on his dusty feet before starting the long trek home.

Patkau’s distinctive digital illustrations are a pleasant complement to Fullerton’s text, capturing the terrain of the village. The greens and browns of the landscape provide a muted backdrop to the children’s brightly coloured clothing and jerry cans. The hard lines and distinct coloration make the pictures leap off the page, as in one splendid image of children pumping water that captures the vibrancy of a girl’s dress, the texture of the children’s hair, and the leafy foliage.

There is much more to this gentle story than its obvious message about the hardships faced by others. The juxtaposition of happy children in a war-torn village, and the beautiful exchange between Kato and the aid worker, portray the endurance of childhood innocence, suggesting small joys can be found in imperfect places.
–Katie Gowrie, Q&Q’s editorial intern.

A Good Trade creators “inspired”–CanLit for LittleCanadians

Posted on August 24th, 2012 by pajamapress

“…Kato’s story could be a sombre one, considering that for his whole life Uganda has been in the midst of a civil war in which children were abducted and terrorized to fight for the rebel forces. But, while not ignoring the presence of armed soldiers, A Good Trade accepts the unrest and horror as only one aspect of Uganda.  There are also the gardens, hills, trails, fields with cattle, and villages with neighbours and children.  And those who offer help.

…I believe that the pairing of Alma Fullerton’s text with Karen Patkau’s art style in A Good Trade is inspired.  It’s almost as if Karen Patkau’s art was destined to evoke the landscape and story of Uganda.  Her sultry skies alone capably recreate the shimmering heat of an African day.

Whatever forces, human or supernatural, that brought together these two artists, one of words and the other of graphics, knew exactly what they were doing.  There’s gratitude all around here: from Kato, from picture book lovers, from compassionate readers.”
–HelenK

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