Pajama Press

“Brief biographies of 52 intrepid women, spanning the globe and all centuries, are flanked by large, full-color illustrations and by maps that show the women’s adventuring sites….The artwork, reminiscent of art deco travel posters, is a gorgeous complement to the eclectic curation. The biographies are written in a conversational style, often including a short quote from the subject….An exciting labor of love—for kids of all gender identities. (Collective biography. 8-12)” ★

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The first review is in for Lili Macaroni, and we are very delighted to receive a ★ Starred Review ★ from Kirkus Reviews to start things off.

“Self-confidence is hard to come by when classmates make fun of the things that make Lili Macaroni herself….Boulanger’s changing perspectives and use of shadows to stand in for other kids’ teasing set the mood, Lili’s exuberant brightness changing to more somber tones with her sadness. Lili and her family are white; there is one black classmate. From Québec, a wonderfully empowering message to be yourself, with a strategy to ease heartache added for good measure.”

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“Spiritual and cultural beliefs blossom into a celebration of life—at least until the darkness of fear and ruthlessness of the earthmother rip apart a homeland and a cherished way of life. This mesmerizing, aching tale explores ancient beliefs in gods and nature and their impact on an Aegean island society in the Bronze Age….Orr nimbly shows Leira’s imperiousness and her humanity alike as the girl witnesses the jarring shift in order when once-exalted priests and priestesses find themselves cast adrift. Her mixture of prose and free verse to tell Leira’s story is lyrical and magnetic—and devastating. Not for readers searching for a simple or happy journey, this is a beautiful song of a book that shows that life isn’t always fair, but change is always constant.”

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“[An] incredibly moving tale…This wordless, picture book–size graphic novel is rendered in beautiful gradients of pencil. It was created by the late Tregonning and completed by Shaun Tan (The Arrival), whose own style is similarly characterized by surrealism. Cute character designs with bobble heads and circular eyes make the work pensive rather than depressing. This is a sympathetic examination of anxiety that never assigns blame; instead, the authors acknowledge the complexity of the situation and that resolutions aren’t easy….VERDICT With direction from educators, guidance counselors, or parents, this poignant title will resonate with those dealing with mental illness. A superb example of bibliotherapy.”
—Rachel Forbes, Oakville Public Library, Ont.

Read the full review in the March/April 2018 issue of School Library Journal

“Edwards’ watercolor-and-ink illustrations are deceptively simple without fancy visual angles or digital effects—but it is this simplicity that creates and supports the story’s authentic, heartfelt ingenuousness. A lively, intelligent variation of full-page illustrations, double-page spreads, and spot vignettes keeps the pace active….A story of adventure and friendship without the boundaries of words, which becomes more personal and satisfying as a consequence.”

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“…Morgan loves seeking adventure in the woods until a nightmare leaves him feeling scared and unsure….Creative illustrations use light and shadow to explore tumultuous emotions as the lion chases fears away alongside Morgan…”
—Pallas Gates McCorquodale

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“Orr tells her tale in both narrative poetry and prose for an effect that is both fanciful and urgent, drawing a rich fantasy landscape filled with people and creatures worthy of knowing. An introductory note describes Orr’s inspiration in the legend of the Minotaur, but her story is no retelling but a meditation on rejection and acceptance, on determination and self-determination. The shifts between poetry and prose build tension just as surely as the bull dances do. As mesmerizing as a mermaid’s kiss, the story dances with emotion, fire, and promise. (Fantasy. 10-14)”

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“Irrepressible Princess Pistachio is back in all her enthusiastic glory….Gay’s easy, breezy syntax is wonderfully descriptive even as it skillfully addresses life lessons about friendship, self-involvement, and forgiveness. The cast of characters is eccentric and diverse, and teacher Mr. Grumblebrain’s name is wonderfully inventive. Ink, watercolor, and colored pencil illustrations are full of life and humor, perfectly complementing the action. Breathless, laugh-out-loud fun. (Early reader. 4-8)”

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“…The two strangers form an almost-instant friendship; the man buys the boy a tart, which they share as the weather magically turns from grey rain to bright yellow sunshine, through which the two soar happily.

Buquet’s prose, translated into English by Erin Woods, consists of rhyming couplets, most of which fit together and flow with satisfying precision…..

…Under the Umbrella is as sweet and lovingly constructed as the brightest treat in a bakery window.”
—Nathan Whitlock

Read the full review on page 29 of the March 2017 issue of Quill & Quire

“With the arrival of Syrian refugee families in many Canadian communities, parents and children alike are charged with trying to understand the harsh experiences these new classmates and neighbours have undergone. The compassionate and beautiful new picture book from Oakville, Ontario, illustrator Suzanne Del Rizzo – the first for which she has created both pictures and text – imagines a Syrian child and his family driven by war into a refugee camp.

While the others settle into the new realities of life in the camp, sensitive Sami is unable to recover, expressing his trauma through grief for the pet pigeons he had to leave behind. He tries to paint a picture of his pigeons, but covers their coloured feathers with smears of black, then tears the painting to pieces. When four wild birds fly into the camp and respond to Sami’s attention, they break through the little boy’s isolation and misery. By the end of the book, Sami has reconnected with life, and is even able to reach out to help a new child arriving at the camp.

Del Rizzo bases her story on an account from the Zaatari refugee camp in Jordan of a child finding solace in some wild birds there. She wisely focuses on what Sami sees and feels without trying to explain too much of the context, relying instead on her visuals to provide this information. The first images of the sky over his former home, glowing with flames and explosions, give way to the beauty of the desert skyscapes in which Sami sees the colourful plumage of his beloved birds. These skillful and imaginative illustrations – created with Plasticine, polymer clay, and other media – give a sense of dimension, which is enhanced by striking and unusual perspectives. My Beautiful Birds is a lovely, timely book.”
—Gwyneth Evans

Read the full review on page 43 of the January/February 2017 issue of Quill & Quire