Pajama Press

The first review is in for Lili Macaroni, and we are very delighted to receive a ★ Starred Review ★ from Kirkus Reviews to start things off.

“Self-confidence is hard to come by when classmates make fun of the things that make Lili Macaroni herself….Boulanger’s changing perspectives and use of shadows to stand in for other kids’ teasing set the mood, Lili’s exuberant brightness changing to more somber tones with her sadness. Lili and her family are white; there is one black classmate. From Québec, a wonderfully empowering message to be yourself, with a strategy to ease heartache added for good measure.”

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“When I was a kid, I didn’t like picture books without words. However, now I know that the pictures can tell a more powerful story without words. This is the case with this book….

The illustrations in this book are beautiful….The depiction of his demons were much more prominent though the images than they would have been with words. The number or demons increased so much that they eventually filled the entire page. This is a great, honest way to show how the demons of anxiety can consume a child or adult.

I loved this picture book! It is a powerful story for adults or children.”

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“This graphic picture book just blew me away….The drawings are amazing, showing the child’s emotions clearly. The way the drawings show the loss of self are brilliant and relatable. I absolutely loved this book and will be recommending it. The publisher information indicates a targeted age range of 8-12, but it can definitely be for adults as well.”

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“In this wordless story told through paneled graphite art that makes achingly attuned use of chiaroscuro, a boy is having a hard time—not the kind many picture-book kids have en route to finding a problem’s clear-cut solution, but an enduringly hard time….One hopes this book will reach children who relate to the boy’s plight and anyone who, like the boy’s sister, suspects that a loved one is in pain and needs help.”
—Nell Beram

Read the full review in the July/August 2018 issue of The Horn Book Magazine

“When giving children books, well-meaning adults may feel impelled to offer challenge, too – opting for text-dense vocabulary boosters at the reader’s diagnosed level, with the difficulty ramped up a little for luck. However gentle, though, this sort of nudge is not an unalloyed blessing. It may pluck children out of storylines in which they were ecstatically resident; deny them the elegant plotting of a well-turned mystery, the satisfying structure of a pony story or the terseness of a comic adventure….

A frequent casualty of the utilitarian focus on advancement and sheer length is illustration, and the reader’s respect for it. The children told “You’re too old for picture books” are not only banished abruptly from an enchanted kingdom. They are also held back from winkling out images’ stored secrets of detail, and from learning the artist’s language of window-frame, colour, light, shade, emphasis, the single line that communicates mood, or loss, or season – everything we mean by “visual literacy”. Sophisticated, demanding concepts may also be com­municated, via illustration, to readers unable or unwilling as yet to parse the complex language required.

Small Things, a wordless graphic novel by Mel Tregonning, and finished, after her death, by Shaun Tan (Allen & Unwin), is an extra­ordinary example: an illustrated book that communicates difficult, painful ideas solely via intricate monochrome graphite drawings….[T]o the ten- or twelve-year-old besieged by incipient anxiety or depression it offers a ­significant potential gift: understanding, and the possibility of recovery….The image of a small, vulnerable body breaking down by degrees, while deeply discomfiting, honours the weight of what it conveys; and the book as a whole celebrates the helpfulness of uncon­ditional love, while successfully avoiding a superficial, unduly swift resolution….”

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“In this wordless picture book-graphic novel mashup, originally published in Australia, artist Tregonning introduces an unnamed boy grappling with corrosive anxiety….Much like the boy’s ever-transforming anxieties, panels shift from slender, compressed squares to sweeping double-page spreads. The otherworldly glow of the black-and-white palette, too, elegantly underscores the boy’s ongoing battle against darkness. More than a moving portrayal of one boy’s struggle, this is also a magnifying lens through which to identify and discuss mental illness with readers of all ages. Don’t let its title or page count fool you, Small Things’ effects are monumental.”
— Briana Shemroske

Read the full review in the April 2018 issue of Booklist

“[An] incredibly moving tale…This wordless, picture book–size graphic novel is rendered in beautiful gradients of pencil. It was created by the late Tregonning and completed by Shaun Tan (The Arrival), whose own style is similarly characterized by surrealism. Cute character designs with bobble heads and circular eyes make the work pensive rather than depressing. This is a sympathetic examination of anxiety that never assigns blame; instead, the authors acknowledge the complexity of the situation and that resolutions aren’t easy….VERDICT With direction from educators, guidance counselors, or parents, this poignant title will resonate with those dealing with mental illness. A superb example of bibliotherapy.”
—Rachel Forbes, Oakville Public Library, Ont.

Read the full review in the March/April 2018 issue of School Library Journal

“Small Things is one of those tremendous reads that is an experience…Mel Tregonning’s Small Things, a wordless graphic picture book, is all at once superbly illustrated, unforgettable, extremely emotionally resonant, beautiful, heartbreaking, and hopeful all at once. Far too often I have had conversations with a parent or caregiver at the library who does not see merit in wordless books; an adult who tries to dissuade their child from reading a wordless picture book as ‘there are no words in it, why would you read it’. I find this crushing and a total disservice to the potent, consequential nature of wordless graphic books like Small Things….

Overall, I highly, highly recommend this title for readers young and old….An exceptional, stand-out piece that opens the way for discourse on mental health, I hope Small Things is a title that gets shared, talked about and appreciated.”

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“Rich, textured illustrations fashioned from Plasticene, polymer clay, and other mixed media complement this moving story of one young refugee’s experience in the Syrian civil war. An author’s note gives information about refugee camps and the Syrian conflict.”

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“With the arrival of Syrian refugee families in many Canadian communities, parents and children alike are charged with trying to understand the harsh experiences these new classmates and neighbours have undergone. The compassionate and beautiful new picture book from Oakville, Ontario, illustrator Suzanne Del Rizzo – the first for which she has created both pictures and text – imagines a Syrian child and his family driven by war into a refugee camp.

While the others settle into the new realities of life in the camp, sensitive Sami is unable to recover, expressing his trauma through grief for the pet pigeons he had to leave behind. He tries to paint a picture of his pigeons, but covers their coloured feathers with smears of black, then tears the painting to pieces. When four wild birds fly into the camp and respond to Sami’s attention, they break through the little boy’s isolation and misery. By the end of the book, Sami has reconnected with life, and is even able to reach out to help a new child arriving at the camp.

Del Rizzo bases her story on an account from the Zaatari refugee camp in Jordan of a child finding solace in some wild birds there. She wisely focuses on what Sami sees and feels without trying to explain too much of the context, relying instead on her visuals to provide this information. The first images of the sky over his former home, glowing with flames and explosions, give way to the beauty of the desert skyscapes in which Sami sees the colourful plumage of his beloved birds. These skillful and imaginative illustrations – created with Plasticine, polymer clay, and other media – give a sense of dimension, which is enhanced by striking and unusual perspectives. My Beautiful Birds is a lovely, timely book.”
—Gwyneth Evans

Read the full review on page 43 of the January/February 2017 issue of Quill & Quire