Pajama Press

Vancouver Family Magazine

“It may be impossible to know if childhood anxiety is on the rise, or if society is simply and finally calling it what it is. But in either case, the challenge is clear: many kids experience intense fear and uncertainty in an increasingly changing world. Small Things by Mel Tregonning (Pajama Press Inc., 2018) confronts this reality with stunning illustrations that depict a boy whose worry follows him around like so many clinging monsters, and eats away at him like chipping China. The book is wordless, but the black and white panel illustrations tell a thousand words about the plight of anxiety and ultimately the healing power of acceptance and connection.”

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ASLC Litpicks

“This large graphic novel styled picture book tells the story of a young boy whose anxiety manifests itself as tiny beings, who gnaw away at his very identity. The powerful imagery of anxiety and worry as beings is told entirely through wordless illustrations. They eat away at him, affecting his social interactions, school work and increases his sense of loneliness. When he opens up to his sister, he learns that others may be experiencing similar feelings. ‘Small things’ can grow, as anxiety can, to become something too big to deal with on one’s own. Though this book offers no easy answers, it does end with hope after sharing his worries with his family.”

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“Personal Reaction: This is an extremely powerful, wordless graphic novel about the anxiety and worry that affects one little boy and yet is so universal in its imagery. I think this would make a powerful addition to an older elementary and even middle school classroom and would be a great conversation starter for a class, book discussion or even one-on-one about anxiety, expectations, and self care….A truly powerful story that will resonate with many.”

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“When I was a kid, I didn’t like picture books without words. However, now I know that the pictures can tell a more powerful story without words. This is the case with this book….

The illustrations in this book are beautiful….The depiction of his demons were much more prominent though the images than they would have been with words. The number or demons increased so much that they eventually filled the entire page. This is a great, honest way to show how the demons of anxiety can consume a child or adult.

I loved this picture book! It is a powerful story for adults or children.”

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“This graphic picture book just blew me away….The drawings are amazing, showing the child’s emotions clearly. The way the drawings show the loss of self are brilliant and relatable. I absolutely loved this book and will be recommending it. The publisher information indicates a targeted age range of 8-12, but it can definitely be for adults as well.”

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“In this wordless story told through paneled graphite art that makes achingly attuned use of chiaroscuro, a boy is having a hard time—not the kind many picture-book kids have en route to finding a problem’s clear-cut solution, but an enduringly hard time….One hopes this book will reach children who relate to the boy’s plight and anyone who, like the boy’s sister, suspects that a loved one is in pain and needs help.”
—Nell Beram

Read the full review in the July/August 2018 issue of The Horn Book Magazine

“When giving children books, well-meaning adults may feel impelled to offer challenge, too – opting for text-dense vocabulary boosters at the reader’s diagnosed level, with the difficulty ramped up a little for luck. However gentle, though, this sort of nudge is not an unalloyed blessing. It may pluck children out of storylines in which they were ecstatically resident; deny them the elegant plotting of a well-turned mystery, the satisfying structure of a pony story or the terseness of a comic adventure….

A frequent casualty of the utilitarian focus on advancement and sheer length is illustration, and the reader’s respect for it. The children told “You’re too old for picture books” are not only banished abruptly from an enchanted kingdom. They are also held back from winkling out images’ stored secrets of detail, and from learning the artist’s language of window-frame, colour, light, shade, emphasis, the single line that communicates mood, or loss, or season – everything we mean by “visual literacy”. Sophisticated, demanding concepts may also be com­municated, via illustration, to readers unable or unwilling as yet to parse the complex language required.

Small Things, a wordless graphic novel by Mel Tregonning, and finished, after her death, by Shaun Tan (Allen & Unwin), is an extra­ordinary example: an illustrated book that communicates difficult, painful ideas solely via intricate monochrome graphite drawings….[T]o the ten- or twelve-year-old besieged by incipient anxiety or depression it offers a ­significant potential gift: understanding, and the possibility of recovery….The image of a small, vulnerable body breaking down by degrees, while deeply discomfiting, honours the weight of what it conveys; and the book as a whole celebrates the helpfulness of uncon­ditional love, while successfully avoiding a superficial, unduly swift resolution….”

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“Every once in a while, we are privileged with the gift of holding in our hands truly unique and emotionally riveting books which have the capacity to leave permanent footprints etched in the heart. Mel Tregonning’s Small Things is, undeniably, one of those books. While Tregonning’s untimely passing in 2014 has resulted in her being unable to physically witness the impact that her work has had on so many lives, it is safe to say that the legacy she has left behind in Small Things will continue to inspire and promote awareness for years to come….

Sadly, Tregonning was unable to see her project to its entirety, and, therefore, the final illustrations of the book were completed by renowned illustrator Shaun Tan who has forever redefined the genre of children’s literature with his creative, wordless vision and masterful life-like illustrations through such influential books as The Arrival. The similarities between Tregonning’s and Tan’s work are uncanny, and their mutual use of black and white and intricate shading techniques results in an extraordinarily realistic and haunting visual depiction of the actions and emotions of their characters. While evidently unforeseen, this chance merger of two such prolific illustrators of our time has resulted in a wordless masterpiece that, like The Arrival, effortlessly taps into the rawness of the human experience.

In Small Things, the author seems to speak to us from beyond the pages with a poignant reminder that no one is ever truly alone in their internal battles. Furthermore, Tregonning’s young protagonist acts as an example of the newfound hope and healing that can progressively emerge from confiding in others during life’s more challenging phases. Perhaps what makes this book most appealing is its relatability. Readers of all ages will be able to associate with the examples of daily stresses and worries that make us vulnerable and, at times, chip away at the soul, leaving temporary cracks for the light to escape. This beautifully depicted textless narrative which effectively honours not only the life of Tregonning, herself, but also the lives of all those who have been impacted by struggles with mental health, is a must-have, one-of-a-kind addition to every school library and home collection.

Highly Recommended.”
—Christina Quintiliani is an Ontario Certified Teacher and Ph.D. Candidate at the Faculty of Education, Brock University, St. Catharines, ON., where she is researching children’s literature.

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“In this wordless picture book-graphic novel mashup, originally published in Australia, artist Tregonning introduces an unnamed boy grappling with corrosive anxiety….Much like the boy’s ever-transforming anxieties, panels shift from slender, compressed squares to sweeping double-page spreads. The otherworldly glow of the black-and-white palette, too, elegantly underscores the boy’s ongoing battle against darkness. More than a moving portrayal of one boy’s struggle, this is also a magnifying lens through which to identify and discuss mental illness with readers of all ages. Don’t let its title or page count fool you, Small Things’ effects are monumental.”
— Briana Shemroske

Read the full review in the April 2018 issue of Booklist

“[An] incredibly moving tale…This wordless, picture book–size graphic novel is rendered in beautiful gradients of pencil. It was created by the late Tregonning and completed by Shaun Tan (The Arrival), whose own style is similarly characterized by surrealism. Cute character designs with bobble heads and circular eyes make the work pensive rather than depressing. This is a sympathetic examination of anxiety that never assigns blame; instead, the authors acknowledge the complexity of the situation and that resolutions aren’t easy….VERDICT With direction from educators, guidance counselors, or parents, this poignant title will resonate with those dealing with mental illness. A superb example of bibliotherapy.”
—Rachel Forbes, Oakville Public Library, Ont.

Read the full review in the March/April 2018 issue of School Library Journal