Pajama Press

Posts Tagged ‘humanity’

A Year of Borrowed Men takes “a very human look at hard times” says There’s a Book For That

Posted on March 28th, 2017 by pajamapress

AYearOfBorrowedMen_Website“…Told from a child’s perspective, this book is a very human look at hard times in European history. Full of tender and sweet moments and the harsh realities of suspicion sand cruelties of war.”

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My Beautiful Birds “is a tale of sorrow and suffering and promise” says CanLit for LittleCanadians

Posted on February 17th, 2017 by pajamapress

mybeautifulbirds_website“In My Beautiful Birds, author-illustrator Suzanne Del Rizzo offers a poignant story of a Syrian child refugee traumatized by leaving his cherished pigeons behind. It is a tale of sorrow and suffering and promise, and beautifully rendered in Suzanne Del Rizzo’s distinctive art….

The sadness and trauma in this little boy’s life is so palpable, from the family’s departure to their adjustment to the refugee camp and to the despondency that permeates Sami’s new life. Through use of colour and the texture of her art–here polymer clay with acrylics–Suzanne Del Rizzo balances the shadows of war and trauma with the bright colours of youthful exuberance and pastels of hope for a future. There’s the tumultuous skies and the ordinary days, and the anger of loss with the chirpiness of birds and children at play. I know the excellence of her art, complex in the depth of detail and its ability to evoke emotions. But Suzanne Del Rizzo has demonstrated a new depth to her writing. Perhaps it’s the tragic circumstances of the story but Suzanne Del Rizzo has put heart and hope into her words, giving breath to a staggering situation, suffusing it with some degree of optimism where there is so little. My Beautiful Birds provides a promise that all the darkness from that Syrian skyline of smoke is behind Sami and remains open to a bright sky of birds and lightness, the landscape of his future.”

Click here to read the full review

A Year of Borrowed Men Resource Links Review

Posted on March 9th, 2016 by pajamapress

A Year of Borrowed Men | Michelle Barker & Renné Benoit | Pajama Press“A Year of Borrowed Men tells a story from World War II that will be unfamiliar to many readers, but is nonetheless a moving part of the history of the German-Canadian community. The author writes from her mother Gerda’s recollections, bringing to life the engaging voice of the younger Gerda, whose family hosted three French prisoners-of-war on their German farm in 1944.

World War II from the German perspective remains some what problematic: how do we reconcile decades of erroneous equation of “German” with evil, with the real experiences of many Germans during the war? While the topic is dealt with effectively in some texts—Roberto Innocenti’s Rose Blanche (1985), Marcus Zusak’s The Book Thief (2005), John Boyne’s The Boy in the Striped Pajamas(2006), among others—it will take so many more stories for truth to overcome the stereotypes. A Year of Borrowed Men contributes positively and significantly to our understanding of the compassion of some of the German populace who placed themselves in an almost untenable psychological and ideological situation.

Gerda’s father was “borrowed” by the German army, and in his place the government sent three French prisoners—Gabriel, Fermaine, and Albert—to work the land. Gerda’s innocent narrative perspective ensures that the dark reality of Germany’s forced labour policy is not brought out. With the egalitarianism of young children, Gerda cannot understand why the three must live with the animals, and eat in the “pig’s kitchen,” where the slops were prepared. That was the rule though: these men were prisoners and were to be treated as such. Inviting them in to dinner one night almost sent Gerda’s mother to prison herself, yet the family could not deny their fundamental humanity. Despite regulations, in the face of threats, Gerda and her mother find little ways of making the Frenchmen’s lives more tolerable: extra butter on their bread, catalogues to cut into elicit decorations at Christmas, sneaking treats for them to eat. The men reciprocated with affection for their little German freunde: “I couldn’t keep the borrowed men here,” Gerda observes at the end of the war, “but we were friends—and I could keep that forever.” The story is made more powerful by the fact that Gerda did indeed keep that friendship alive: enough that her daughter has retold their story for her grandchildren’s generation to learn.”—Resource Links

 

 

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